4x02 - Whitelighters Beware

[Prue Brianna Johnna Halliwell]

DESTINED

'WHITELIGHTERS BEWARE'

TEASER

OVER BLACK.

FADE IN:

EXT. PRESCOTT STREET - NIGHT

It’s a dark night.

ON: HALLIWELL MANOR AND THE TITTLE:

HALLIWELL MANOR, 2061

Only the attic’s light is on.

CUT TO:

INT. HALLIWELL MANOR – ATTIC – NIGHT (2061 – FLASHFORWARD)

The attic seems different. It’s more crowded.

Jo is by the stand where the Book of Shadows used to be. She looks at it. Matt stands there looking at her.

JO

I remember being a child and seeing it here.

MATT

We can have that back.

Jo looks at Matt.

JO

You said you had a spell.

Matt approaches one of the cases and opens a drawer. He takes a paper. It looks old and taken from a book.

JO (CONT'D)

Where did you get that from?

Matt looks at her.

MATT

I wrote it.

Jo shoots him a look. She knows he's hiding something.

JO

We wrote thousands of spells, cous.

(desolated)

None of them worked.

Matt looks at the paper.

JO (CONT'D)

What makes you think that one will?

Matt looks at Jo.

MATT

Faith.

Matt walks towards her and reaches out his hand handing her the paper.

MATT (CONT'D)

Take this. Chant that spell and go there.

JO

Without you?

MATT

I need to stay, Jo. I have to protect what’s left of our family.

JO

But I need you, Matt.

MATT

It’ll be easier for you to fit in if you go alone.

(pause)

Take it.

Jo takes the paper.

JO

How do I approach them?

MATT

Just tell them the truth.

JO

I can’t tell them who I am.

MATT

Well, not that truth. Just tell them where you are from and what you’re up to.

Jo lowers her gaze.

MATT (CONT'D)

Jo, we don’t know to when this spell is going take you to. So, you need to be careful with what you tell them.

JO

OK.

MATT

Oh, and another thing.

They stare at each other.

MATT (CONT'D)

Your name is Jo Wright.

JO

Your mother’s maiden name?

MATT

Like I said, they cannot know your real name. At least not just yet.

Jo nods.

MATT (CONT'D)

Now, go.

Jo jumps into Matt’s arms.

JO

I love you, cous.

MATT

I love you too, Jo.

Matt breaks the hug and they stare seriously at one another. Jo’s eyes start getting wet.

JO

You’ve been like a brother to me.

MATT

We are going to fix it. We’ll have the lives we were destined to have, OK?

Jo nods yes.

MATT (CONT'D)

Now, go!

Jo unfolds the paper and takes a deep breath. Matt looks seriously at her.

JO

(chants)

‘Hear these words,

Hear the rhyme,

Heed the secrets my heart hides.

Move me now,

Send me back

To where I wish in place and time’

Twinkling lights encircle her and Jo disappears. Matt looks at the place she just was.

MATT

Good luck, cous!

Matt lowers his gaze.

CUT TO BLACK.

END OF TEASER.

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell 

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell 

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Rose McGowan as Paige Matthews

Ivan Sergei as Henry Mitchell

Marisol Nichols as Bianca

Katie Cassidy as Melissa

Guest Starring

Adrian Pasdar as Jannes / The Black Wizard

Laura Vandervoort as Jo 'Wright'

Matt Lanter as Matt Halliwell

Alex Mauriello as Oracle

John Barrowman as Christopher

Michael Luckett as Ajax

Mishka Thébaud as Darklighter #3

Unknown actors as Darklighters #1, #2, #4, #5, #6, #7, #8, #9 and #10

Unknown actor as Bartender

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written and Edited by

Sol

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. HALLIWELL MANOR – DAY (PRESENT DAY)

STOCK.

CUT TO:

INT. HALLIWELL MANOR – WYATT / PRUE’S BEDROOM – DAY

ON PRUE’S FACE LYING ON THE PILLOW.

Prue is lying asleep on the bed. Wyatt comes in from the bathroom and stands, looking at her.

Wyatt smiles. He seems truly happy. He walks over her and kisses her softly on the cheek.

WYATT

Good morning, Sleepy Beauty!

PRUE

(sleepily)

My favorite is Snow White.

Prue opens her eyes. Wyatt smiles.

PRUE (CONT'D)

I’m sleepy.

WYATT

I can see. Eric said that is normal in your state.

Prue gets into a sitting position.

PRUE

My state!

Prue smiles.

PRUE (CONT'D)

We need to tell our family the news. It’s been two weeks since we found out and only our parents know about it.

WYATT

I know. I’ve sent the gang a text this morning.

Prue is surprised.

PRUE

You did?

Wyatt nods. He sits beside her and both kiss.

WYATT

I’m happy.

Prue smiles.

PRUE

You should thank your sister and Damon.

Wyatt doesn’t understand.

WYATT

What?

PRUE

Remember that night in New Orleans? At your mom’s restaurant?

Wyatt remembers.

WYATT

What does it have to do with you being pregnant?

PRUE

Well, even though they are not together anymore, Mel and Damon have feelings for each other.

Wyatt’s eyebrows widen.

PRUE (CONT'D)

That has been messing with my cupid’s empathy power.

WYATT

Oh!

PRUE

Yeah.

WYATT

Well, at least we know when our daughter was made.

Wyatt stands.

PRUE

Daughter?

Wyatt looks at her.

WYATT

We saw a girl when we traveled in time to save Aunt Phoebe, remember?Actually, we saw more than one.

Prue remembers.

PRUE

Yeah, but future can change.

WYATT

Indeed, it can.

Wyatt approaches Prue and touches her belly. He talks to the unborn baby.

WYATT (CONT'D)

Hi, baby!

Prue smiles.

WYATT (CONT'D)

It’s daddy here. So, mummy and I want to know.

(smiles)

Are you a girl?

Prue smiles. Then, Wyatt smiles big. He looks at Prue.

WYATT (CONT'D)

She is.

Both smile. Prue and Wyatt kiss.

CUT TO:

INT. HALLIWELL MANOR – CONSERVATORY ROOM – DAY

Chris, Bianca, Melinda, Charlotte, Cassandra, Tamora and Pandora are there. Junior comes in wearing some sunglasses. Tamora and Pandora exchange glances.

TAMORA

(to Junior)

Tough night?

Junior grimaces.

PANDORA

(to Junior)

You need to stop, brother. It won’t do any good to you.

JUNIOR

(rude; to Pandora)

Do I tell you how to live your life, sis?

Pandora and Junior stare at one another. Then, Junior gives his back on his sisters and sits on the couch.

Melinda approaches Bianca and whispers something.

MELINDA

(to Bianca)

I never thought I would see him suffering for a woman.

BIANCA

Poor Junior.

At that moment, Wyatt and Prue come in holding hands. They seem happy.

WYATT

Good morning, everyone.

They all look at them.

JUNIOR

I hope you have a good reason to take me out of bed this early.

Chris looks at Junior.

CHRIS

(to Junior)

It’s not that early.

Chris turns to Wyatt and Prue.

CHRIS (CONT'D)

It is good to see that the two of you look fine.

WYATT

We are more than fine, bro.

Wyatt and Prue exchange glances.

WYATT (CONT'D)

We are pregnant!

They all smile, but Junior.

MELINDA

Are you serious?

Melinda and Chris hug Wyatt and Prue. Pandora looks at Junior.

PANDORA

(to Junior)

Show some enthusiasm.

Junior takes off his glasses and stands. Charlotte and Cassandra hug Prue and Wyatt as well as Bianca, Tamora and Pandora.

MELINDA

I’m going to be double auntie.

CHARLOTTE

Oh, wait!

They look at Charlotte.

CHARLOTTE (CONT'D)

Two pregnant women at the same time!

CASSANDRA

It’s going to be nine long months!

Junior approaches Prue and Wyatt.

JUNIOR

Congratulations you two.

Junior hugs Wyatt.

WYATT

Thank you, cous.

Then, Junior turns to Prue and they hug.

JUNIOR

At least you two were born for one another.

MELINDA

But how did this happen?

(to Prue)

I thought ---

PRUE

(to Melinda)

Remember New Orleans?

MELINDA

I do! But ---

PRUE

I drunk a few drinks. Eric said that the alcohol may have cut the effects of the pill.

CHARLOTTE

Eric knew?

PRUE

He was the one who gave me the new and we talked to him.

CHARLOTTE

He didn’t mention anything.

PRUE

Doctor and patient confidentiality.

CHARLOTTE

So, Eric has changed his area of expertise?

WYATT

No, he just did us a favor. He’s the only doctor we know who knows who we are.

BIANCA

I can take you to my doctor.

WYATT

Oh, no. Prue doesn’t want to.

BIANCA

Why?

PRUE

Well, magical baby coming.

CASSANDRA

It would be fun if the doctor sees some blue orbs in the ultrasound.

Cassandra smiles as well as the twins.

PRUE

Blue orbs?

Wyatt looks at her.

PRUE (CONT'D)

Why not pink beams?

They all look at one another.

CASSANDRA

Oh, well --- 

Wyatt and Prue exchange glances.

CHRIS

I think it’ll be interesting to trying to figure out what powers that baby will have.

Wyatt puts an arm over Prue’s shoulder.

WYATT

It doesn’t matter what powers she’ll have.

Both Wyatt and Prue share a look.

WYATT (CONT'D)

She’ll be loved anyway.

Wyatt and Prue smile. The others smile as well. Even Junior who tries to hide it.

CUT TO:

INT. UNDERWORLD – BLACK WIZARD’S CAVE – DAY

This cave is dark. There’s only a tiny light on and it all comes from oil lamps. There is a stand in the middle where is a heavy basin made of stone. Some black cloths hang on the rock walls.

Inside the cave, JANNES, the BLACK WIZARD, (looks 50, but is much older than that) is standing talking to AJAX (looks 30), a DARKLIGHTER.

AJAX

But my Lord ---

JANNES

Do as I say!

Jannes turns his back on Ajax.

JANNES (CONT'D)

It is important that they fall.

AJAX

No one has ever ---

JANNES

(aloud)

I don’t care!

Jannes turns to Ajax.

JANNES (CONT'D)

I don’t care what has happened in the past.

A twisted smile shows up in Jannes’ face.

JANNES (CONT'D)

Go now and come back when you’re finished.

Ajax bows and BLACK ORBS out. Jannes has a serious expression on his face.

CUT TO:

EXT. P3 – DAY

ON P3 SIGN.

Jo is standing there. She looks serious at the P3 sign. She lowers her gaze and then takes a deep breath. Then, she decides to enter the club.

CUT TO:

INT. P3 – STAIRCASE/ DANCING FLOOR / BAR – DAY

Only Prue is there. She is at the counter at her computer. A cup of tea is beside the computer.

ON: CUP OF TEA. As Prue moves her hand to take the cup, she ends up hitting the cup who falls down the floor spilling the liquid inside.

PRUE

Damn!

Prue takes a cloth and starts cleaning the mess on the floor.

At that moment, Jo comes downstairs slowly. As she does, she looks around. Prue stands and puts the cloth on the counter.

PRUE (CONT'D)

(to herself)

Where’s your head, Prue?!

Jo looks at her and stares serious looking at Prue. Prue realizes Jo’s presence.

PRUE (CONT'D)

Oh, hey!

Jo says nothing.

PRUE (CONT'D)

Eh, we are closed. Mondays are P3’s night off. Even if it’s not night yet.

Jo remains quiet looking at Prue as if Prue had something wrong. Prue shoots her a look and that’s when Jo is called back to Earth.

JO

I’m sorry.

(points to the entrance)

The door was opened.

PRUE

Yeah, it always is. I always forget to close it.

(pauses)

But still, the club is closed.

Jo approaches the bar.

JO

I came because I need a job.

Prue stares at her.

PRUE

Well, you came a little too late. We’ve chosen all the employees already. We had an announcement before the reopening.

JO

Reopening?

PRUE

Yes, P3 reopened a couple of weeks ago.

JO

Oh, I didn’t know. I’m from outside town.

PRUE

Well, welcome to San Francisco, but I really don’t have a job for you.

At that moment, Melinda comes in from the entrance stairs as Bianca comes from the storeroom.

MELINDA

I knew I’d find you two here.

Prue, Bianca and Jo look at Melinda. Jo stares seriously at Melinda. Melinda approaches Prue and Bianca.

MELINDA (CONT'D)

(to Prue and Bianca)

You two are pregnant and you were supposed to be at home. Resting.

Prue and Bianca exchange glances.

JO

(to Prue; surprised)

You’re pregnant?

Prue nods.

MELINDA

(to Prue)

Who are you?

Jo is serious.

JO

Oh, I ---

PRUE

She came for a job, but we don’t need more employees right now.

Melinda glances from Prue to Jo and stares at Jo for seconds.

MELINDA

Do I know you?

JO

I guess no.

MELINDA

Your eyes ---

(smiles)

--- They remind me of ---

Melinda nods her head.

MELINDA (CONT'D)

Never mind.

(staring at Jo)

You want a job, is that so?

Jo nods yes.

MELINDA (CONT'D)

Good, because we really need some extra help.

PRUE

No, we don’t. I’m the boss.

Melinda looks at Prue and Bianca.

BIANCA

And I’m back to my old job, Mel.

MELINDA

Yeah, but like I said, the two of you are pregnant. Meaning that you both have to have extra care. So that would make the two of you, half of yourselves ---

Prue and Bianca exchange glances.

MELINDA (CONT'D)

--- So, we are going to need someone else.

BIANCA

(to Prue)

Did you get what she meant?

PRUE

Not a single word.

MELINDA

What I’m trying to say, guys, ---

Prue and Bianca look at Melinda.

MELINDA (CONT'D)

--- Is that you won’t be able to work as any other and ---

Melinda looks at Jo.

MELINDA (CONT'D)

(to Jo)

Sorry, I didn’t get your name.

JO

Jo ---

(looks at the others)

Jo Wright.

BIANCA

She has my maiden name.

MELINDA

(smiles)

See?

Prue and Bianca exchange glances.

MELINDA (CONT'D)

(to Prue and Bianca)

I was saying that Jo could be helpful now that the two of you need to worry about something else.

Prue and Bianca stare at Melinda.

BIANCA

(to Prue)

She may be right.

Melinda shoots them a pleading look.

PRUE

Fine.

(to Jo)

You’ve got the job!

Jo smiles.

JO

Thank you, ---

(pauses)

--- Prue.

Prue shoots her a look, but when she’s about to say something, Ajax, the Darklighter, BLACK ORBS in holding his crossbow. Melinda is the one who first sees him.

MELINDA

Seriously?!

Prue, Bianca and Jo look at him. The Darklighter points his crossbow to Bianca and shoots. That’s when a blue FORCE FIELD appears surrounding Bianca and the arrow crumbles to the ground.

Then the Darklighter points his crossbow to Prue and shoots.

MELINDA (CONT'D)

No!

Melinda jumps into Prue and both fall down the floor. Still, the arrow hits Melinda’s arm. Jo WAVES her hand throwing the Darklighter against the D.J.’s music machine. The Darklighter looks at her. Jo WAVES her hand again, but the Darklighter BLACK ORBS out. Melinda sits on the floor as well as Prue. Prue stares at Jo who helps Bianca to stand. Melinda has an injury in her arm. She looks at it.

MELINDA (CONT'D)

It was close!

Prue keeps looking at Jo.

BIANCA

(to Jo)

You’re a witch?!

Melinda looks at Jo. Prue is serious staring at Jo as well.

PRUE

I guess, Jo Wright, that you have some things to tell us.

Prue and Jo stare at one another.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

INT. UNDERWORLD - BLACK WIZARD’S CAVE – DAY

ON AJAX. He is gazed down. Jannes stands there looking at him.

JANNES

You failed!

AJAX

I’m sorry, my Lord.

JANNES

(furious)

Look at me!

Ajax raises his eyes to look at Jannes.

JANNES (CONT'D)

Gather some darklighters and take them with you.

Ajax nods yes.

JANNES (CONT'D)

Don’t fail me, Ajax!

AJAX

I won’t, my Lord.

Ajax BLACK ORBS out. ON JANNES. He is serious.

CUT TO:

EXT. HALLIWELL MANOR – DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR – CONSERVATORY ROOM – DAY

ON: MELINDA’S INJURY.

Bianca is taking care of Melinda’s injury.

MELINDA

Ouch!

BIANCA

Stop being a baby!

MELINDA

It hurts!

Prue and Jo are also there looking at Melinda and Bianca. Then, Prue turns to Jo.

PRUE

So ---

Prue starts walking around Jo and looks at her up and down.

PRUE (CONT'D)

--- A Witch!

Jo shoots her a look.

PRUE (CONT'D)

Good one or bad one?

MELINDA

I think she’s proved that she’s good.

BIANCA

Agree.

It doesn’t convince Prue.

PRUE

Maybe that’s what she wants us to believe in.

JO

Look, I think you should worry about that Darklighter instead of focusing on me.

Prue and Jo stare at one another.

JO (CONT'D)

He was sent by someone.

PRUE

(suspicious)

How do you know?

JO

(rude)

It doesn’t matter how I know.

(takes a deep breath)

Maybe the Magical Community already knows of the pregnancies.

Bianca looks at Prue.

BIANCA

She has a point.

MELINDA

I believe her too.

(to Bianca)

Enough with that.

Melinda shoots Bianca a bossy look. Bianca stops. Melinda stands fast and as she does, she feels weird.

MELINDA’S POV: She starts seeing all like a blur. Quickly, Prue, Bianca and Jo start fading off from her sight.

BIANCA

Mel? Are you OK?

Bianca stands. Melinda falls down as Bianca grabs her quickly.

PRUE

(worried)

Mel!!!

Prue and Jo approach Bianca and help her putting Melinda on the chair.

BIANCA

We should call Wyatt and Chris.

Prue nods yes.

CUT TO:

EXT. SAN FRANCISCO P.D. – DAY

A few police cars are parked outside.

CUT TO:

INT. SAN FRANCISCO P.D. – MAIN ROOM – DAY

Junior comes in still wearing sunglasses. As he comes in he stops and takes off his sunglasses. He is surprised to see someone there: Christopher Mercer.

Junior, quickly, approaches him.

JUNIOR

(rude)

What are you doing here?

HENRY (O.S.)

I called him.

Junior turns around. Henry stands behind him with his hands on his hips.

JUNIOR

(astonished)

What? Why?

HENRY

Because Christopher and I need to talk to you.

Henry signs Junior to enter his office. Junior rolls his eyes and walks in. Henry and Christopher exchange glances. Henry signs Christopher to come in.

CUT TO:

INT. SAN FRANCISCO P.D. – CAPTAIN’S OFFICE – DAY

Once inside, Henry signs Junior to sit in Henry’s chair. Junior shoots him an incredulous look and Henry shoots him a bossy look.

JUNIOR

OK, so the two of you have united forces.

HENRY

Sit!

Junior rolls his eyes and sits. Henry and Christopher stand before him.

HENRY (CONT'D)

Feel good on that chair?

Junior doesn’t understand.

JUNIOR

Why are you asking me that?

HENRY

Because if you do, the way you’re living your life, you won’t make it there.

JUNIOR

Dad ---

HENRY

No! Now you listen to us.

(pauses)

I know that what happened wasn’t good. But life goes on.

Junior stands.

JUNIOR

Dad ---

HENRY

(rude)

Sit, I said!

CHRISTOPHER

Son ---

Christopher glances at Henry who nods.

CHRISTOPHER (CONT'D)

--- You need to overcome all this situation. I know you trusted her and she betrayed you, but ---

JUNIOR

But nothing. I don’t want you two, guys, giving me lessons.

(to Christopher)

Especially, you. A man who spent life in jail.

HENRY

Don’t talk like that to your father.

JUNIOR

(to Henry)

My father is you, dad.

Christopher lowers his gaze. Henry and Junior stare at one another.

HENRY

See? It’s that kind of attitude that is hurting you and all of us around you.

Christopher looks at Junior.

CHRISTOPHER

We just want what’s good for you.

JUNIOR

Is that so?

Henry and Christopher stare at Junior.

JUNIOR (CONT'D)

Then why the three of you haven’t been able to stay in the same room.

HENRY

We are not here to talk about your mother, me and Christopher.

JUNIOR

Of course, not. We are here so you can tell me how to live my life.

CHRISTOPHER

No. We are here to tell you that we love you, son. We care about you.

Junior lowers his gaze.

CHRISTOPHER (CONT'D)

We only want you to be happy.

Junior’s eyes get red.

HENRY

She didn’t deserve you, son. I know how you love her, but ---

JUNIOR

(cuts him off)

No, you don’t.

A tear runs down Junior’s face.

JUNIOR (CONT'D)

No one knows.

(to Henry)

I’m taking a sabbatical!

Junior puts on his sunglasses and leaves as fast as he can. Henry turns to Christopher.

HENRY

I thought it was a good idea. Sorry, to take your time.

CHRISTOPHER

He is my son as well. I’ll do everything I can to help him.

Henry thinks for moments.

HENRY

I think I have an idea.

Christopher is curious.

HENRY (CONT'D)

I need to call my wife.

Henry smiles and takes his phone from the desk. Chris seems curious.

CUT TO:

INT. HALLIWELL MANOR – CONSERVATORY ROOM – DAY

ON MELINDA’S INJURY. HANDS OVER IT HEALING IT.

Chris is healing Melinda. Melinda is unconscious. Bianca is next to Chris and Melinda. Wyatt, Prue and Jo look at it.

WYATT

Why did a Darklighter arrow affected her that much?

PRUE

I have no idea.

JO

(whispers)

Whitelighter’s genes.

Wyatt and Prue look at Jo.

WYATT

Who is she anyway?

PRUE

I haven’t figured that out.

Jo stares at them. Then she signs them to follow her. Chris is still trying to heal Melinda. Bianca looks at them.

CUT TO:

INT. HALLIWELL MANOR – MAIN HALL / STAIRCASE – DAY

Jo comes in followed by Wyatt and Prue.

WYATT

What did you mean with whitelighter’s genes?

JO

Well, Melinda’s father was a Whitelighter.

WYATT

He wasn’t by the time she was born.

JO

Yeah, but he was for a long time.

Wyatt and Prue exchange glances. Then Prue turns to Jo.

PRUE

How do you know?

Jo thinks for moments.

JO

I think I shouldn't say anything else. You need to focus on the Darklighter now. Believe me.

Wyatt and Prue stare at her.

JO (CONT'D)

He was sent by someone.

CHRIS

(coming in)

I agree.

WYATT

(to Chris)

How’s Mel?

CHRIS

She’s recovered her senses and I could heal the wound.

WYATT

Good.

CHRIS

Now the thing is, who sent the Darklighter?

PRUE

Who knows! Darklighters have left us for a while. Why are they back now?

CHRIS

Because there are two pregnant women in this family.

WYATT

And the babies’ fathers are Whitelighters. Half-whitelighters!

CHRIS

Exactly!

Wyatt and Chris exchange glances.

PRUE

Well, then you all need to leave. I call my sisters and we take care of them.

WYATT

Are you kidding me, right?

Prue shoots him a look.

WYATT (CONT'D)

The baby you’re carrying may be half-Whitelighter.

PRUE

(sarcastic)

Oh, right! My daughter takes it after me, so she’ll be half-cupid.

JO

Can you, guys, not fight right now?

Chris smiles as he looks at Jo.

CHRIS

I like her.

Jo smiles.

CHRIS (CONT'D)

But the truth is that we don’t know what species the baby is.

WYATT

Well, the other day, the baby used a force field so I guess that comes from me.

Prue is astonished.

PRUE

That was my new power.

CHRIS

No, Prue. It was the baby’s.

Prue is offended.

PRUE

I don’t need a baby to protect me. Not even my baby.

WYATT

Tell that to her, love.

JO

OK, guys! Let’s focus on the Darklighter.

CHRIS

Once again, agree.

Jo smiles at Chris.

CHRIS (CONT'D)

We are not going anywhere, Prue. We'll stay and we'll fight.

Prue is about to say something, but Chris turns around and enters the conservatory room. Wyatt shoots Prue a look and then follows his brother. Jo walks into the conservatory room too.

Prue takes a deep breath and then looks at her belly. She touches her belly fondly.

PRUE

(smiles)

Hi, sweetie! Mummy here.

(pauses)

So, you know that mummy is one of the most powerful witches that ever walked on Earth, don’t you?

(pauses)

So, mummy plans to continue being one of the most powerful witches for a long time. So, you don’t need to protect me, sweetie.

(pauses)

Mummy is the one who is supposed to protect you. So, behave and don’t worry about it, OK? Listen to mummy. I know I don't know you yet, but I want to look after you. I don't want you to worry about mummy, OK?

(smiles)

I love you aready.

Prue takes a deep breath and heads into the conservatory room still touching her belly.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

INT. UNDERWORLD – DARKLIGHTERS’ CAVE – DAY

Ajax is there with five more Darklighters.

AJAX

We attack.

DARKLIGHTER #1

It’s a crazy plan.

DARKLIGHTER #2

It’s the Destined Ones, man. That’s really crazy.

AJAX

That’s the orders. We kill them all.

DARKLIGHTER #3

Who is your boss, Ajax?

AJAX

I don’t have a boss.

(pauses)

Do you want to be part of the plan or not?

The five Darklighters exchange glances. Then they look at Ajax.

DARKLIGHTER #4

I’m in. I always wanted to face them.

DARKLIGHTER #2

I’m in too.

Ajax looks at Darklighter #3 and #5. They nod yes.

DARKLIGHTER #1

Count us in!

Ajax smiles.

CUT TO:

EXT. SAN FRANCISCO – DAY TO NIGHT

Camera shows some places all over the town as the sun sets and the moon rises in the sky.

CUT TO:

INT. UNDERGROUND BAR – NIGHT

Only a few people are inside the bar. Melissa comes down the entrance stairs. She’s wearing an elegant black suit and carries her bag. She looks around and something calls her attention.

BEAT. Junior is at the counter drinking. Melissa looks at him and walks towards him. No one is sitting beside Junior.

Junior seems distant. He has a sip of his drink and lands the empty glass on the counter.

JUNIOR

Another.

The bartender pours more bourbon on Junior’s glass.

MELISSA

Is this seat free?

Junior glances at Melissa and then looks back at his glass.

JUNIOR

I came here to be alone, Melissa.

MELISSA

Funny thing!

(smiles)

I usually come here to be alone as well.

Melissa puts her bag on the seat beside Junior and sits on the other seat leaving the bag in the middle of them.

MELISSA (CONT'D)

(to the bartender)

A bourbon, please!

Junior shoots her a weird look.

JUNIOR

Bourbon? 

Melissa smiles at him. The bartender puts a glass before Melissa and pours the drink inside. Melissa takes the glass and has a sip of it. The bartender gets back to his doings. Junior has a sip of his drink.

MELISSA

I’m sorry.

Junior looks at her.

MELISSA (CONT'D)

For what happened to you.

Junior deviates his eyes from hers and lowers down his gaze.

JUNIOR

So, everybody knows?

MELISSA

Wyatt commented that he was worried about you. He didn’t tell me exactly what happened.

Junior has another sip of his drink finishing the liquid.

MELISSA (CONT'D)

Want to talk about it?

Junior signs the bartender to give him more. The bartender approaches and pours more bourbon inside Junior’s glass.

JUNIOR

I’m not in the mood.

The bartender walks away.

MELISSA

Are you also not in the mood to help your family?

Junior shoots her a confused look.

JUNIOR

What do you mean?

MELISSA

Wyatt and Chris left the Magazine in a rush. I think they said there was a problem with ---

Melissa tries to remember.

MELISSA (CONT'D)

--- A dark ---

(frowns)

--- Dark something.

JUNIOR

Darklighter?

Melissa remembers.

MELISSA

That’s the word!

Junior takes his phone from his pocket.

JUNIOR

(mad)

Damn! Forty unanswered calls.

(looks at Melissa)

I’ve got to go.

Melissa nods yes. Junior starts walking towards the exit stairs, but Melissa calls him.

MELISSA

Hey, Junior!

Junior looks back at her.

MELISSA (CONT'D)

You know where to find me if you need to talk about it.

Junior lowers his gaze and leaves. Melissa turns back at her own drink and has a sip of it.

CUT TO:

INT. HALLIWELL MANOR – CONSERVATORY ROOM – NIGHT

ON: ARROW HITTING PANDORA IN THE BELLY.

Pandora is in pain. She falls down the floor. Darklighter #2 was the one who hit her. Ajax and the other Darklighters BLACK ORB in. Melinda rushes to Pandora who lies in pain on the floor. Ajax SHOOTS an arrow against Melinda, but she realizes in time and uses her FREEZING POWER to stop the arrow from hitting her. Wyatt and Prue come in from the living room as Chris and Bianca come from the kitchen. Darklighter #3 SHOOTS an arrow against Bianca, but a blue FORCE FIELD takes form protecting Bianca from being hit. The arrow hits the force field and falls on the ground. Chris uses TELEKINESIS and throws Darklighter #3 against the windows that lead to the garden.

Right away, Chris is hit by Darklighter #4’s arrow and falls down the ground. At that moment, Jo, Charlotte, Cassandra and Tamora come in. Ajax looks at Prue and Wyatt and points his arrow against them. He shoots his crossbow and the arrow splits into three. An arrow goes towards Tamora who ORBS out. Another arrow hits Wyatt in his shoulder. Another arrow is about to hit Prue, but she WAVES her hand and the arrow TURNS into a bunch of flowers.

PRUE

(astonished)

What the hell!

Jo then uses MOLECULAR COMBUSTION and blows up DARKLIGHTER #1. Tamora ORBS back in front of Ajax and kicks the crossbow. Tamora is about to wave her hands, but Ajax BLACK ORBS out. Prue approaches Wyatt on the floor.

WYATT

What the hell happened to your powers?

PRUE

Your baby is doing this.

Darklighter #4 and #5 shoot their arrows to Charlotte and Cassandra. Charlotte DEVIATES the one that goes her direction and THROWS it back to Darklighter #4 who blows up. Cassandra LEVITATES and the arrow hits the doorway.

CASSANDRA

I’m a cupid, your son of a ---

CHARLOTTE

Language, sis!

At that moment, Junior ORBS in. Darklighter #3 walks in from the garden and SHOOTS his arrow towards Junior. He is about to be hit by Darklighter #3’s arrow, but realizes in time. Junior WAVES his hand and a shoot of ICE comes out of it. Darklighter #3 is half turned into ICE with his crossbow. Darklighter #3 screams in pain.

Prue stands and WAVES her hand to blow up Darklighter #2, but she actually does more than that. Darklighter #2 blows up, but instead of a normal explosion, it causes an explosion of flowers.

PRUE

Oh, what the hell, baby!

Jo WAVES her hands and again using MOLECULAR COMBUSTION, blows up Darklighter #5. It causes a big explosion. Darklighter #3 tries to black orb out, but Melinda FREZZES him.

MELINDA

(to Darklighter #3)

You are not leaving!

Wyatt, Chris and Pandora still lie on the floor in pain.

CHRIS

Hey, guys! Please.

Tamora approaches Junior.

TAMORA

Bro, you’ve done this before.

Junior glances at them.

JUNIOR

It was only once. I can’t do it again.

Junior and Tamora stare at one another. ON JUNIOR. He seems reluctant.

CUT TO:

EXT. HALLIWELL MANOR – NIGHT (MOMENTS LATER)

STOCK.

CUT TO:

INT. HALLIWELL MANOR – CONSERVATORY ROOM – NIGHT

ON: HANDS HEALING.

Paige has her hands over Wyatt’s shoulder. Soon, he is healed. Wyatt looks at Paige.

WYATT

Thank you, Aunt Paige.

The others stand there. Chris and Pandora are already OK. Darklighter #3 is not there.

TAMORA

Thank you, mom. Sebastian was in a meeting and I didn’t want to bother him.

PAIGE

Now, can you explain to me what the hell happened here?

MELINDA

We were attacked by Darklighters.

PAIGE

(sarcastic)

That I’ve figured out.

CHARLOTTE

They were like six Darklighters. And they started shooting arrows to everyone.

BIANCA

(touches her belly)

My baby protected me.

Chris approaches Bianca and touches her belly. He smiles.

CHRIS

I’m proud of him.

Prue shoots a suspicious look to Jo who deviates her eyes from Prue.

PAIGE

Have you vanquished them?

MELINDA

Jo and Charlie did.

Paige looks around. She notices Jo. Jo forces a smile. Then Paige looks at Prue.

PAIGE

(to Prue)

You didn’t vanquish any darklighter?

Prue rolls her eyes.

PRUE

I did.

TAMORA

Oh, right. She did.

PANDORA

It was more like a flowery explosion.

PAIGE

(confused)

A what?

PRUE

It was not my fault. It was the babies’ fault.

PAIGE

Oh.

PRUE

Oh?

Paige glances at Wyatt.

PAIGE

I guess she’s taking her father’s side.

Wyatt smiles.

PRUE

It’s not funny.

Jo glances at Prue.

JO

It’s just an unborn baby taking control of your powers.

Prue rolls her eyes and looks at Jo.

PRUE

Like I said, it’s not funny. Like it’s also not funny not to know who you are.

Prue and Jo stare at one another. Wyatt stands.

WYATT

OK.

Wyatt approaches Prue.

WYATT (CONT'D)

Love, you need to relax.

Wyatt lowers down and touches Prue’s belly.

PRUE

What are you doing?

Tamora and Pandora smiles.

WYATT

(to Prue’s belly)

Hey, sweetie. It’s daddy here again!

PRUE

Wyatt, we are in public.

WYATT

(to Prue’s belly)

You know, sweetie, it is funny that you try to play with mummy’s powers. It’s really fun.

Prue rolls her eyes. Chris puts his arm around Bianca’s shoulder. Both smile. Junior shakes his head, but smiles. Paige looks at them with fondness.

WYATT (CONT'D)

(to Prue’s belly)

But when we are fighting against the bad guys, we need your mummy’s powers to work properly.

Jo smiles looking at Wyatt.

WYATT (CONT'D)

(to Prue’s belly)

So, do we have a deal? Are you going to let mummy use her powers properly when needed?

Wyatt waits as if the baby could answer. Seconds later, Wyatt looks at Prue.

WYATT (CONT'D)

(to Prue)

She said yes.

Prue smiles. Wyatt stands and both Prue and Wyatt kiss. Jo looks aside.

PAIGE

So, my grandniece wants to show what she’s capable of already.

Jo lowers her gaze.

CHRIS

Your grandnephew too.

Paige smiles.

PAIGE

Well, I’m happy they are as powerful as their parents, but now you all need to focus on the Darklighters.

JUNIOR

There’s one upstairs.

PAIGE

Do you guys need me?

WYATT

No, Aunt Paige. You’ve done enough.

PAIGE

OK. I need to meet Henry anyway. Bye!

Paige ORBS out.

CHRIS

Now, let’s focus on the Darklighter.

(to Bianca)

Honey, you should get home. It can be dangerous.

BIANCA

(smiles)

Honey, our baby can protect me.

Bianca has a point.

WYATT

Let’s go upstairs.

Wyatt, Chris and Bianca head out the room followed by Junior, Tamora, Pandora, Charlotte, Cassandra and Melinda. Jo is about to leave, but Prue stops her.

PRUE

I will find out who you are, you know?

Jo turns to Prue.

JO

I’ll reveal who I am once we deal with the Darklighter.

Jo turns around and leaves the room. ON PRUE. She is serious.

CUT TO:

INT. UNDERWORLD – BLACK WIZARD’S CAVE – NIGHT

Jannes is mad. Like, really mad. Ajax has his gaze down.

JANNES

(mad)

It was so simple.

Ajax dares to look straight at Jannes.

AJAX

My Lord, I told you before. It’s suicide to go up against them.

Jannes turns to him. He is full of rage. His eyes are madly red.

JANNES

Tha’s why you’ve been hiding all this time?

Jannes walks over him.

JANNES (CONT'D)

(loudly)

You, Darklighters, haven’t gone against them in years because you fear them?

Ajax lowers his gaze.

JANNES (CONT'D)

I thought Darklighters had a code! I thought you were made to kill Whitelighters and their charges.

AJAX

We do, My Lord, but ---

JANNES

But what?

Ajax swallows.

AJAX

We agreed not to. The whole Darklighter community agreed.

JANNES

Well, I’m not the whole Darklighter community.

Jannes grabs Ajax’s neck.

JANNES (CONT'D)

I want them dead!

(pauses)

I need them dead.

Jannes throws Ajax against some rock wall. Then, Jannes walks over Ajax.
 

JANNES (CONT'D)

Get up!

Ajax doesn’t.

JANNES (CONT'D)

I said, get. Up. Now!

Ajax gets up.

JANNES (CONT'D)

You need some extra fire power.

Jannes WAVES his right hand and a force field surrounds Ajax and soon disappears.

JANNES (CONT'D)

No harm can be caused to you now. You’ll be protected from their powers.

(pauses)

Now, go and take others with you.

Jannes turns around. Ajax is about to leave, bur Jannes stops him.

JANNES (CONT'D)

Don’t forget.

Jannes turns to face Ajax.

JANNES (CONT'D)

Kill. Them. All.

Ajax bows and BLACK ORBS out. Jannes gets thoughtful.

JANNES (CONT'D)

Oh, my dear, my dear. Without them, you won’t succeed.

Jannes smiles mischievously with the corner of his mouth.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

EXT. HALLIWELL MANOR – NIGHT

STOCK.

CUT TO:

INT. HALLIWELL MANOR – ATTIC – NIGHT

ON CRYSTAL ON THE FLOOR.

A crystal cage is settled in the middle of the attic. Inside is Darklighter #3. His right arm is still turned into ice. Pandora stands in front of the cage. Cassandra and Charlotte are near her.

PANDORA

(to the Darklighter)

Now, c’mon! Tell us what you know. Why coming after us? Who sent you?

The Darklighter doesn’t answer.

PANDORA (CONT'D)

(commanding)

Answer me!

The Darklighter remains silent. Chris and Wyatt come in.

WYATT

Has he said something?

CHARLOTTE

Not a single word.

Chris walks over the cage.

CHRIS

You need to tell us who sent you otherwise that iced arm of yours will be the least of your problems.

DARKLIGHTER #3

I won’t tell you anything, Witch!

Chris turns to Wyatt and smiles.

CHRIS

See? He talks after all.

CASSANDRA

Good, but still nothing important came out of his mouth.

Prue comes into the attic ---

PRUE

You, guys, get off my way ---

She walks over the cage.

PRUE (CONT'D)

--- See how it’s done!

Prue looks at the Darklighter and shoots him a sarcastic smile.

PRUE (CONT'D)

Now, us!

(pauses)

Listen to me, your slag from hell, you’re going to tell us who sent you and why otherwise I'll finish the job my cousin started and that’s not all.

(smiles)

Your clumsy icy body will do as an ornament in the Jardin du Luxembourg and take my word for it. It’s really hot in summer. 

Wyatt and Chris exchange glances. Wyatt shrugs.

PRUE (CONT'D)

You won’t leave this place alive, but if you tell us what we want to know, maybe you die with dignity. 

CASSANDRA

I kinda liked the Jardin du Luxembourg part.

Charlotte shoots Cassandra a look. Prue and Darklighter #3 stare at one another. Finally, the Darklighter gives in.

DARKLIGHTER #3

I don’t know who’s behind this. There is a master mind behind, but I don’t know who is it.

WYATT

Why coming after us?

The Darklighter laughs.

DARKLIGHTER #3

You really need to ask?

Wyatt stares at the Darklighter.

DARKLIGHTER #3 (CONT'D)

Whoever it is, wants what we all want. You all dead.

(keeps laughing)

Especially now that more of your kind are on the way. We all want to end your race!

Not thinking twice, Wyatt walks fast over the cage. Prue steps aside astonished. Wyatt is furious. He kicks one of the crystals away. The cage is broken. Taken by anger, Wyatt grabs the Darklighter and throws it all the way to a wall. As the Darklighter hits the wall, the iced arm breaks in pieces. The Darklighter falls on the floor. The arm that was covered in ice exists no more.

PRUE

Wyatt!

Pandora, Charlotte and Cassandra are astonished. Chris stands admired with Wyatt’s attitude.

The Darklighter screams in pain. The girls are horrified. At that moment, Tamora and Bianca come in followed by Melinda, Tamora, Jo and Junior.

Wyatt walks over the Darklighter and grabs him by his throat and starts suffocating him.

WYATT

(furious)

No One. Touches. My. Family!

Wyatt throws the Darklighter against the floor and raises his hands towards him and bolts of electricity come out of his hands. It hits the Darklighter and throws him up against the wall. Prue runs towards Wyatt.

PRUE

Wyatt, stop it!

Prue is desperate. Soon, Darklighter #3 explodes.

PRUE (CONT'D)

Stop it! He’s gone.

All of them are astonished by Wyatt’s attitude. Wyatt looks down at Prue and then glances at the others. Wyatt swallows. He’s breathing fast. Wyatt lowers his gaze and walks out the attic as fast as he can.

Prue glances at the others. Apart from astonished, she also seems worried. Then she leaves the attic as well.

TAMORA

What the hell was that?

CHRIS

A father who only wants to protect his family.

They all look at Chris.

CHRIS (CONT'D)

I would do the same.

ON JO. She looks at the attic’s entrance. She’s thoughtful.

CUT TO:

INT. HALLIWELL MANOR – WYATT / PRUE’S BEDROOM – NIGHT

The room is dark. No light on. Wyatt is sitting on the bed with his head between his hands. Prue comes in and looks at him fondly. Then, she turns on the floor lamp. Wyatt raises his eyes to look at her. She shoots him a sympathetic smile.

WYATT

I’m sorry!

Prue sits beside him and holds his hands.

PRUE

What happened up there, honey? Usually, I’m the one who freaks out.

WYATT

I don’t know what came over me. I ---

(sighs)

--- I couldn’t control it.

Wyatt and Prue look each other in the eyes.

WYATT (CONT'D)

When he said that they all want us dead ---

Wyatt touches Prue’s belly.

WYATT (CONT'D)

I can’t let anything happen to our child, Prue.

PRUE

(assuring)

Nothing will happen, Okay?

Wyatt lowers down his gaze. Then he looks to Prue.

WYATT

I don’t know what would I do if I lose you or the baby.

Prue holds his face between her hands.

PRUE

You won’t lose me or the baby. Wyatt, we are the most powerful witches on Earth. Nothing can go up against us.

(pauses)

Nothing. Since we stick together.

They both look into each other’s eye. They kiss sweetly.

PRUE (CONT'D)

Honey, you are a controlled person. You can’t let it take over you. You have to keep controlling it.

(small smile)

I know you can.

WYATT

(small smile)

Since when did you become that positive?

Prue smiles big.

PRUE

I guess it's the baby. She’s taken after you, I guess.

They hold each other’s hands.

 PRUE (CONT'D)

That’s a relief actually.

WYATT

How come?

PRUE

(funny)

Have you imagined how would it be to have two of me living under the same roof at the same time?

Wyatt pretends to imagine that.

WYATT

That would be mind blowing.

PRUE

Exactly!

Wyatt touches again Prue’s belly.

WYATT

I only know that I would do anything to protect this child.

Prue puts her hand over Wyatt’s.

PRUE

We’ll do it together as we are destined to, Okay?

Wyatt nods. They have a long kiss. Then they break the kiss apart.

PRUE (CONT'D)

(stands)

Now, let’s go. We have a Darklighter to vanquish.

WYATT

Only one?

PRUE

One of many.

Prue reaches out her hand to take Wyatt’s. Then, both head out the bedroom.

CUT TO:

INT. HALLIWELL MANOR – ATTIC – NIGHT

The others are still there: Chris, Bianca, Melinda, Charlotte, Cassandra, Junior, Tamora, Pandora and Jo. Pandora and Cassandra are sweeping the ice cubes.

MELINDA

(to Chris)

Are you saying that it was a normal behavior?

CHRIS

Not for him, I know. But listen, he’s going to be a father and let’s be fair, that Darklighter and his friends threatened our family.

TAMORA

I’ve never seen Wyatt behaving that way.

BIANCA

But we all know that he is very powerful.

Jo lowers down her gaze.

JUNIOR

But he has kept his powers under control.

Cassandra and Pandora finish cleaning. Pandora puts the garbage bag in a corner while Cassandra leans the broom against the wall.

CHRIS

Things have changed now.

(pauses)

Like I said, he’s going to be a father.

JO

Guys, we should focus on finding the one behind this.

They all look at Jo. At that moment, Prue comes in holding hands with Wyatt.

PRUE

For once, I agree with the newbie here.

Prue shoots a look at Jo. Jo holds her gaze. Wyatt glances at the others.

WYATT

Sorry, for what you guys saw. I got mad when he threatened our family.

Prue smiles at Wyatt.

CHRIS

We understand.

Chris glances at the others.

CHRIS (CONT'D)

Don’t we?

Melinda and Tamora exchange glances. Then Tamora looks at Wyatt.

TAMORA

Yes, we do.

CHRIS

(smiles)

Well, can we now focus finding that Darklighter?

PRUE

He’ll find us. He has an agenda, so he’ll come back.

MELINDA

What do we do once he does?

PRUE

We’ll vanquish him.

Wyatt and Prue keep holding hands. They exchange glances.

CUT TO:

EXT. HALLIWELL MANOR – NIGHT (MOMENTS LATER)

STOCK.

CUT TO:

INT. HALLIWELL MANOR – KITCHEN – NIGHT

Melinda comes in and heads towards the stove. Something is cooking there. DARKLIGHTER #6 BLACK ORBS in. Melinda looks at him.

MELINDA

It was about time!

The Darklighter points his crossbow towards Melinda and shoots. Melinda WAVES her hands and FREEZES the arrow right in front of her. Next, the arrow is seen BEAMING out and right back, BEAMING in close to Darklighter #6’s chest. The arrow hits him and he blows up. That’s when Charlotte is seen. Charlotte smiles.

MELINDA (CONT'D)

You’ve been practicing that Telekinetic Beaming thing.

Charlotte smiles.

CHARLOTTE

It comes in handy some times.

(points to the pan)

Got that potion finished?

MELINDA

I don’t know if it’s going to work.

CHARLOTTE

I’m happy if it causes a great mess.

Melinda smiles.

MELINDA

Help me fill the bottles.

Charlotte approaches Melinda and both start filling some potion bottles with the potion.

CUT TO:

INT. HALLIWELL MANOR – LIVING ROOM – NIGHT

ON: AN ARROW HITTING A BLUE FORCE FIELD. THE ARROW FALLS DOWN THE FLOOR.

Bianca is inside the Force Field.

BIANCA

I could get used to this thing.

Cassandra and Pandora are on the floor while DARKLIGHTERS #7 AND #8 are there.

CASSANDRA

That baby better starts showing other powers.

Darklighter #8 shoots an arrow to Pandora. Charlotte comes in fast and throws a potion bottle towards Darklighters #8’s foot. Soon, he blows up.

CHARLOTTE

It worked!

The arrow hits Pandora’s shoulder. Pandora screams. At that moment, Jo comes in and WAVES her hands. Darklighter #7 blows up. Bianca’s force field is turned off. Charlotte approaches Pandora and helps her stand.

CHARLOTTE (CONT'D)

Sit on the couch.

CASSANDRA

She needs to be healed!

Jo is about to move towards Pandora, but stops.

JO

I’ll call someone.

Jo heads out the room.

CASSANDRA

(to Bianca)

Doesn’t your baby know how to heal?

Bianca keeps her distance from Pandora.

BIANCA

I don’t know.

They exchange glances.

CUT TO:

INT. HALLIWELL MANOR – 1ST FLOOR CORRIDOR – NIGHT

Chris ORBS out. An arrow hits a painting on the wall.

ON: ARROW HITTING THE PAINTING. Chris ORBS back in behind Darklighter #9. Chris holds his hand up and closes his wrist. The Darklighter takes his free hand to his chest. He turns around little by little until he is face to face with Chris. Chris smiles as he enjoys doing it.

DARKLIGHTER #9

He will stop at nothing!

CHRIS

Neither. Do. I.

And so, Chris closes his wrist entirely, CRUSHING the Darklighter's heart. Darklighter #9 blows up. Tamora stands behind Chris.

TAMORA

I guess being a father changes you, huh?!

Chris turns around and faces Tamora. They stare at one another.

TAMORA (CONT'D)

Don’t worry, I’d do the same.

Both share sympathetic glances. At that moment, Ajax DARK OBRS in behind Tamora. Chris sees him.

CHRIS

Look out!

Tamora turns around and as she does, Ajax grabs her and throws her against Wyatt and Prue’s bedroom door. The door breaks and Tamora falls down the floor, unconscious. Ajax points his crossbow to Chris and shoots. Chris is fast. He WAVES his hands and deviates the course of the arrow. Melinda walks in fast and stops as she sees Ajax. Not thinking twice, she throws a potion bottle against him. The potion bottle breaks, but nothing happens with Ajax.

MELINDA

(surprised)

It didn’t work!

CHRIS

Run!

Melinda gets out of there. Chris ORBS out.

CUT TO:

INT. HALLIWELL MANOR – WYATT / PRUE’S BEDROOM – NIGHT

Tamora is lying on the broken door, unconscious. Chris OBRS in and takes her in his arms. Chris ORBS out.

CUT TO:

INT. HALLIWELL MANOR – ATTIC – NIGHT

Darklighter #10 throws Prue against a bookcase. Wyatt ORBS in. Darklighter #10 points his crossbow towards Wyatt and shoots. An arrow ends up hitting Wyatt’s stomach. Wyatt falls down on his knees. Prue sees it.

PRUE

No!

Prue tries to get up, but she’s unable to. The Darklighter walks towards her. He activates his TOUCH OF DEATH and keeps walking towards Prue.

CUT TO:

INT. HALLIWELL MANOR – LIVING ROOM – NIGHT

Pandora is lying on the sofa in pain. Cassandra, Charlotte and Bianca are there as well. Chris ORBS in carrying Tamora.

BIANCA

Is she OK?

CHRIS

She’ll be fine.

Chris looks at Pandora.

CASSANDRA

She needs healing.

At that moment, Junior comes in followed by Jo and Melinda. Junior looks at his sister. Chris is about to approach Pandora, but Junior stops him.

JUNIOR

Allow me, please.

Chris and Junior exchange glances.

CHRIS

Are you sure?

JUNIOR

At least let me try.

Chris nods. Junior approaches Pandora and puts her hands over her injury. The others exchange glances. It takes longer, but Junior hands finally GLOW. Cassandra and Charlotte smile. Junior HEALS his sister. Pandora smiles as she sees she’s healed.

PANDORA

(to Junior)

You did it!

Junior smiles.

JUNIOR

I guess there’s hope for me after all.

Junior and Pandora hug.

MELINDA

(to Charlotte)

The potion didn’t work.

CHARLOTTE

Yes, it did.

MELINDA

Not for me.

CHRIS

That one has some protection around him.

JO

Which proves my theory that someone is behind this and it’s not a Darklighter.

CHRIS

Agree.

At that moment, a scream is heard.

CHRIS (CONT'D)

That was Prue!

Jo runs fast out of the living room.

CUT TO:

INT. HALLIWELL MANOR – ATTIC – NIGHT

Prue is still on the floor as well as Wyatt. He is in so much pain. Darklighter #10 approaches Prue and with the other hand he grabs her neck and raises her from the floor. The other hand is red.

Wyatt holds his stomach. The arrow is still there. He pulls the arrow out. Prue is losing her colors. Wyatt raises his eyes and sees the Darklighter approaching his other hand towards Prue.

Wyatt and Prue exchange glances. Wyatt takes strength from only God knows where and WAVES his hand, using TELEKINESIS, he throws the Darklighter against a wall. Prue falls down the floor.

Wyatt raises his right hand and projects lightning from it towards the Darklighter. Wyatt ELECTROCUTES the Darklighter causing a big explosion. Then, Wyatt falls down the floor. Prue tries to recover her air and with some difficulties, she crawls towards Wyatt.

PRUE

Honey ---

Wyatt is in pain. He looks at her.

WYATT

Prue ---

At that moment, Jo comes in the attic.

JO

What the ---

She freezes as she sees Wyatt lying on the floor.

JO (CONT'D)

Da ---

(cuts herself off)

--- Wyatt!

Prue looks at Jo.

PRUE

He needs to be healed.

Jo is about to approach them but stops as she sees Prue’s hands glowing.

JO

Look!

Jo points to Prue’s hands.

ON: PRUE’S HANDS. THEY EMANATE A VERY BRIGHT AND STRONG KIND OF GOLD COLOR.

Prue looks at her hands surprised. Soon, Wyatt’s injury starts to heal. The injury disappears. Wyatt touches his stomach. Prue and Wyatt look at one another. Prue smiles.

PRUE

I told you. Like father like daughter.

Wyatt smiles. He gets into a sitting position and both kiss. Jo looks at her. A little tear runs down her face. She wipes her tear immediately. At that moment, the others come in: Chris, Melinda, Bianca, Cassandra, Charlotte, Pandora, Junior and a shattered Tamora.

CHRIS

What happened?

Prue and Wyatt look at them. Wyatt stands and helps Prue to stand. Jo turns around to hide her red eyes.

PRUE

My daughter just healed her father.

ON JO. She takes a deep breath. Then she turns to the others.

CHRIS

And the Darklighter?

WYATT

He’s gone.

MELINDA

But we have another one to worry about.

CHRIS

Yes, it appears we have an invincible Darklighter walking around.

PRUE

(glances at Wyatt)

I’ve got an idea.

(pauses)

I need you all to get out of here, but the two of you.

Prue points to Cassandra and Charlotte.

CHARLOTTE

You’re not thinking about switching powers like last time, are you?

PRUE

My idea is pretty much better.

MELINDA

I want to stay too.

PRUE

No, you’re leaving as well. This requires empathic powers.

Melinda grimaces.

CASSANDRA

So, the three of us against that Darklighter.

PRUE

Not the three of us. The four of us will fight him.

JO

I thought you didn’t want your baby to protect you.

Prue and Jo look at one another.

PRUE

She won’t be protecting me.

Prue touches her belly.

PRUE (CONT'D)

She’ll be helping mummy to vanquish the bad guy.

Prue looks at her belly.

PRUE (CONT'D)

What do you say, sweetie? Ready for some Darklighter vanquishing?

Prue smiles. She looks at the others.

PRUE (CONT'D)

She said yes.

Bianca approaches Chris and whispers something.

BIANCA

We need to start talking to our baby like they do.

Chris smiles funny.

JO

I want to stay too.

PRUE

Sorry, but you are not part of the family, dear. So, ---

JO

I can help.

PRUE

How?

Jo thinks twice, before saying anything else. She takes a deep breath.

JO

I’m an Empath too.

They all are surprised.

MELINDA

A Witch and an Empath?

PRUE

You really have a lot to tell us, huh?

JO

Let me help and I’ll tell you everything about me.

Prue and Wyatt exchange glances. Wyatt nods. Wyatt looks at Jo.

WYATT

I don’t know who you are, but I feel that I can trust you.

JO

(smiles shy)

Thank you.

PRUE

(to Jo)

You can stay then. The others must go now.

Prue and Wyatt kiss. Chris holds Bianca’s hand and OBRS out. Junior takes Melinda’s hand and ORBS out as well. Then, Tamora and Pandora ORB out.

CASSANDRA

(to Prue)

So, what now?

PRUE

Now, we wait!

They stare at one another.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

EXT. HALLIWELL MANOR – NIGHT (MOMENTS LATER)

STOCK.

CUT TO:

INT. HALLIWELL MANOR – ATTIC – NIGHT

Prue, Cassandra, Charlotte and Jo are still there. Jo is by the BOS, flipping through its pages. Cassandra is sitting on the sofa checking her phone. Prue is on a corner looking serious at Jo. Charlotte approaches Prue.

CHARLOTTE

At least disguise.

Prue doesn’t take her eyes from Jo. Both keep her voices down.

PRUE

I don’t trust her.

CHARLOTTE

Do you sense anything bad from her?

PRUE

Not bad, not good.

Charlotte looks at Jo.

CHARLOTTE

Well, the book lets her touch it.

Cassandra stands and throws the phone against the sofa. She’s mad.

CASSANDRA

It’s unbelievable.

CHARLOTTE

Let me guess. Ben?

Cassandra shoots her sister a look.

CASSANDRA

I’m going to unfriend him.

PRUE

Why don’t you tell us what happened? Maybe we can help.

CASSANDRA

I don’t want to talk about him anymore.

Prue and Charlotte exchange glances. Jo closes the book.

JO

It’s a heavy book this one.

CHARLOTTE

It’s been in our family for generations.

JO

Yeah, I know.

PRUE

You know, huh?!

JO

(disguises)

Well, pretty famous family you are.

Prue shoots Jo a suspicious look.

CUT TO:

INT. HALLIWELL MANOR – 1ST FLOOR CORRIDOR – NIGHT

Ajax BLACK ORBS in at the bottom of the stairs that lead to the attic. He holds his crossbow. Voices come from the attic. He starts to climb the stairs.

CUT TO:

INT. HALLIWELL MANOR – ATTIC – NIGHT

The girls are still there.

PRUE

(to Jo)

Why don’t you tell us who you really are?

CHARLOTTE

Prue, is not the right moment.

CASSANDRA

I’m curious too, you know?!

Jo lowers her gaze.

PRUE

(to Jo)

You said you would tell us.

JO

(mad)

Yes, as soon as we vanquish that Darklighter.

Prue is about to say something, but she’s cut off by the arrival of Ajax.

AJAX

Talking about me?

The girls look at him. Prue and Charlotte approach Jo and Cassandra. Ajax smiles.

PRUE

We were waiting for you.

AJAX

Your powers won’t work on me, Witches!

PRUE

I figured!

Ajax points his crossbow to them. He shoots an arrow and like it happened before, the arrow splits into four. Prue raises her hands and MOVES the arrows back to Ajax. Ajax lowers down and the arrows hit the wall.

PRUE (CONT'D)

If you want to kill us, at least do it properly.

(daring)

We deserve that.

Both Ajax and Prue stare seriously at one another. Ajax throws his crossbow away. He looks at his right hand seriously.

AJAX

You’re right. There are better ways of doing it.

Ajax smiles. His hand starts becoming red. Prue smiles as well. Then, Cassandra holds Jo’s hand as Jo holds Prue’s hand and Prue hold Charlotte’s hand. Ajax walks towards them.

PRUE

Now!

The girls focus Ajax. He stops. He is unable to move. Her hand is still activated with TOUCH OF DEATH. The girls don’t take their gaze off him. Then, Ajax’s hand starts turning against him.

AJAX

(mad)

What are you doing?

His own hand touches his own neck and his face starts turning red. Smoke starts to come from Ajax's face. It is burning. The girls keep the eye contact. Soon, flames consume him completely.

CASSANDRA

(smiles)

It worked!

PRUE

Any doubts it would?

They let go of each other’s hand.

CHARLOTTE

If it wasn’t for Jo here, I would say that it was a cupid team job.

Jo lowers her gaze.

PRUE

(looks up)

You guys can come back.

Soon, Wyatt ORBS in followed by Chris who ORBS in bringing Bianca. Junior ORBS in with Melinda. The Twins also ORB in.

WYATT

Is it gone?

PRUE

What do you think?

Wyatt approaches Prue and kisses her passionately. Jo looks away.

MELINDA

You, guys, get a room.

Wyatt and Prue break the kiss.

WYATT

We plan to.

They both smile.

CHRIS

We still need to find out who sent him.

MELINDA

Another hour, bro. We did enough today.

BIANCA

Mel is right. I need some rest.

PRUE

Not quite yet!

They all look at Prue.

PRUE (CONT'D)

We still have something to clarify.

Prue looks at Jo. Jo looks at her.

PRUE (CONT'D)

We vanquished the Darklighter. Now, tell us. Who are you?

Both Prue and Jo stare at one another seriously.

CUT TO:

EXT. SAN FRANCISCO – NIGHT

Aerial footage all over the town.

CUT TO:

INT. UNDERWORLD – BLACK WIZARD’S CAVE – NIGHT

Jannes is mad. He screams loud.

JANNES

Dammit!

At that moment, the Oracle walks in.

ORACLE

Bad day?

Jannes turns to face her.

JANNES

Who are you and what are you doing here?

ORACLE

You’re the Black Wizard, aren’t you?

JANNES

Don’t make me ask twice.

The Oracle smiles mischievously.

ORACLE

A friend. I am a friend.

Both the Oracle and Jannes stare seriously at one another.

CUT TO:

EXT. HALLIWELL MANOR – NIGHT

STOCK.

CUT TO:

INT. HALLIWELL MANOR – CONSERVATORY ROOM – NIGHT

They all are there staring at Jo. They seem surprised.

CHRIS

(to Jo)

The future?

Jo lowers her gaze.

CHRIS (CONT'D)

(to Jo)

You come from the future?

Jo nods yes.

MELINDA

I’m having a déjà vu.

WYATT

(to Jo)

Chris also went back in time when I was a child. Do you want us to believe that?

JO

You believe what you want.

(to Wyatt)

Before, you said you trusted me. So, trust me.

MELINDA

Are you family?

JO

I’m a friend.

CHARLOTTE

Why would a ‘friend’ come from the future?

Jo glances at all of them.

JO

I come asking for help.

CHRIS

(to Jo)

Let me guess. To save your present?

Jo nods.

CHRIS (CONT'D)

Why would a friend risk that much in coming here and ask our help? That would be more acceptable is it was one of our children.

JO

I’m a close friend to your children.

Prue stares at her.

PRUE

I don’t believe you.

Jo smiles sarcastically.

PRUE (CONT'D)

And I don’t trust you.

JO

Of course, you don’t. But I’m saying the truth whether you like it or not.

TAMORA

What’s wrong with the future?

Jo looks at Tamora.

JO

It’s evil. It is ruled by evil.

Prue and Wyatt exchange glances.

JO (CONT'D)

The worst kind of evil.

MELINDA

Who ---?

Jo cuts Melinda off.

JO

I can’t tell you more than that.

MELINDA

But if you want us to help you ---

JO

You’ll be helping not just me, but your own family. But I can’t reveal much more right now.

Jo glances at them all looking for support.

WYATT

I believe you.

PRUE

Wyatt!

WYATT

(to Prue)

I do believe her.

Wyatt and Prue stare at each other.

WYATT (CONT'D)

I don’t know why I just do.

PRUE

Well, I don’t.

(looks at Jo)

I can’t sense anything from her.

BIANCA

It has happened before, Prue.

Prue looks at Bianca.

BIANCA (CONT'D)

Maybe she’s saying the truth.

JUNIOR

I vote for us to give her a chance.

PANDORA

Are we voting now?

JUNIOR

Maybe she’s right.

They look at Junior.

JUNIOR (CONT'D)

Hey, guys, we’ve dealt with Darkness in the past. Maybe some sort of freaky evil demon got to become a new Source and is ruling the whole damn future.

TAMORA

We wouldn’t let that happen.

CASSANDRA

Unless we couldn’t stop it. We don’t know what would become of us in a few years.

CHRIS

I kinda believe her too.

Jo smiles at Chris. Prue rolls her eyes.

PRUE

I can’t believe this.

CHRIS

I think we should call it a night. We deal with the rest tomorrow.

BIANCA

Agree.

CHARLOTTE

(to Jo)

Since you come from the future, I guess you have no place to crash in.

JO

To be honest I don’t.

CHARLOTTE

Great that I have a spare room in my house.

PRUE

(to Charlotte)

You’re kidding me, right?

CASSANDRA

I don’t know if mum and dad would agree to, Charlie.

CHARLOTTE

I’ll talk to them.

PRUE

You can’t give her my bedroom.

CHARLOTTE

You don’t need it. I bet Jo will like to rest in your old bedroom, Prue.

Prue rolls her eyes.

PRUE

Have it your way. I’m out!

Prue heads out the room. Wyatt follows her.

JO

(to Charlotte)

I don’t want to ---

CHARLOTTE

You won’t. C’mon!

Charlotte takes Jo’s hand and takes her out of there.

CASSANDRA

I’d better keep an eye on her.

Cassandra leaves as well.

TAMORA

(to her siblings)

We should go home too.

Tamora, Pandora and Junior head out.

MELINDA

Well, call me crazy, but I also believe her.

CHRIS

Me too.

MELINDA

(to Chris)

Are you thinking the same I am?

CHRIS

I hope I’m wrong.

BIANCA

What is it?

MELINDA

I’m off to bed. Bye, guys.

Melinda leaves the room. Chris kisses Bianca’s forehead.

BIANCA

(curious)

Chris, what is it?

CHRIS

Have I ever told you about my time travel?

BIANCA

A few things, yeah. You don’t remember anything once it wasn’t this you.

CHRIS

But it was me. A different me, but still me.

BIANCA

What does it have to do with Jo?

CHRIS

I came back to save my brother, Bianca. And I believe Jo didn’t just come back to save her present.

Both stare at one another.

CHRIS (CONT'D)

Let’s go home. It’s late.

Chris kisses Bianca softly. Both hug. And Chris ORBS out taking her. The image ---

CUT TO BLACK.

END OF THE EPISODE